The thing with this project is that it's an easy mixtape to play on repeat and enjoy the vibe to. This track is a definite repeat 'offender' on the radio controls. Dre masterpiece this artist paints his own legendary work with a feature from Rafijah Siano. Though it doesn't sound any bit like a Dr. Like with most lyrical artists, there's always a smoke song, and Cambatta doesn't hesitate to drop one on his project called, The Chronic. His genuine feelings seem to come out on this mixtape, and anyone who enjoys analyzing life will appreciate his views and presentation of experiences and thoughts. Listening closely, tracks like Brief Conversation unfold with the following lines, 'As I analyze life, question every facet / like what it really takes to get that legendary status.' Despite his laid back style of delivery his lyrics are rampant with clear wordplay over strong punch lines.
His conversational rap style does his intro justice, with flutes bringing in a smooth, feel good type of vibe on the production.
This mixtape is no exception to the consistency he puts out, and anyone who is a Cambatta fan will not be disappointed by this release.
His ability to weave random mental pictures with insightful messages makes him one of the more respected emcees. Without a doubt, Cambatta has been a boot slap favorite for a while with good reason. His performance was impressive, alleviating any fears that he was going to be a boring live performer. Everyone seemed to get really into his performance of “Jazzerterbation,” which was probably the only time Cambatta was still for more than a millisecond. It was actually refreshing to see and his playful energy brought people back to the stage. I was certainly not expecting him to pull out a skit right in the middle of his set, or to run around in his socks for the rest of his show. Cambatta, who hails from New Haven, Connecticut, normally discusses things like conspiracy theories, smoking weed, traditionalist hip hop theories or politics, sometimes difficult topics to get a crowd into. Even though I’ve been hugely impressed with his Smoke & Mirrors mixtape, his performance actually exceeded expectations, especially for the topics that he normally raps about. Next up was the MC that really brought me to the concert, Cambatta. "Cambatta Performance at Littlefield (Brooklyn)" DMT (Definative Metagod Trilogy) is available for stream and download at - Impose Magazine “Ghost In The Machine” is a double metaphor, referring to the spirit in the human body, and on a macro-level the human body as a mere cog in the “machine” of modern-day civilization. The Carlos “Lo5” Avila-directed video splices footage of Cambatta rhyming fiercely with clips of demonstrations, religious iconography, and social decay. Udub may have channeled the energy of his previous productions “OOOUUU“ and “Don’t Run” on this one, but don’t just dance – listen to what Cambatta is saying. The Udub of NYBangers production is an urgent track that meshes club-ready 808 drums with poignant lyricism reflecting on the dualities of earthly existence, corrupt leadership, and the futility of trying to spread a message without a following. “Blacks are now gentrified thugs, food is now weaponized drugs” he laments on “Ghost In The Machine,” the latest video from his DMT (Definative Metagod Trilogy) project. He’s out to shut a rapper down on the mic – then enlighten them. Tampa-by-way-of-New Haven rapper Cambatta is one of the more socially aware, uncompromising rappers to hit the scene, mixing spiritual and social analysis into a technically superior skillset. Consciousness has been commodified in hip-hop within the past few years, but it’s still relatively easy to tell who’s really about it once you break down the density of their messages.
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